What does it mean to come across a place you can never quite reach, locate, or fully understand?

Audrey Ni Ruorong, Iris Jingyi Zeng and Xinyu Huang bring together digital collage, analogue photography and embodied walking to look at ruins not as something left over from the past, but as something still unfolding. A structure reclaimed by plants. A landscape no longer shaped by human hands. A memory whose original form can’t be recovered.

At the centre of the exhibition, a table holds the artists’ notes, drafts, rejected images and unfinished thoughts, open for visitors to handle and rearrange.

Artists: Iris is a London-based visual artist works primarily with analogue photography, alongside moving image, installation and material experimentation. Shaped by their early connection to Yunnan’s natural environment and experiences of displacement, their practice explores dwelling, belonging and accumulated time. Wilderness, domestic interiors and found materials recur throughout their ongoing processes of image-making.

Xinyu is an artist and researcher based between Chongqing and Scotland. Using analogue photography as a starting point, she explores how ways of seeing shape perception. Informed by encounters with Scotland’s wilderness, her work considers the primordial bond between human beings and the world beneath the structures of modern life.

Audrey is a Glasgow-based artist and researcher completing a practice-led PhD at the Glasgow School of Art. Working across photography, moving image, installation and AI-generated media, she constructs secondary worlds through her Weird Methodology, treating incomprehension not as failure but as material for creating new unstable narratives and unfamiliar forms.

02/10/2026, 18:00-22:30; 18:00-21:00 (PV)

03/10/2026, 10:00-22:00

04/10/2026, 10:00-14:00